A warm welcome to all friends visiting the site with a loving invitation to read my personal expressions on movies, music, poetry and life.

Music and Movies are like Ears and Eyes to me and if you also feel the same, then you are going to enjoy every moment spent on my works here, for sure.

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July 26, 2014 Saturday     

It is the directorial debut of Zoya Akhtar, who is from the talented Akhtar Family. She shows her talent in the direction and script department but sadly chooses the same old story of strugglers in Mumbai changing their attitude after getting a break with some luck. The execution of some sequences is brilliant, but the cliché plot turns the movie into an old wine in a new bottle.

It opens with Konkona Sen Sharma, as a struggling actress, who is waiting for the promises made by a producer. Farhan Akhtar is introduced as another struggler, just out of an acting school and is a friend of Konkana’s neighbor who is a theater artist. These are the characters trying their luck in Mumbai and waiting for the lady luck to smile at them any fine morning. Luckily Farhaan gets a lead role and then he changes with his new bright days of life, forgetting the people who helped him in his old times.

The same theme was also there in Ram Gopal Verma’s “Naach”. But here the difference is that though the movie is all predictable and based on an old plot, still it is well directed and superbly acted by the entire star-cast. Had there been any surprise element in the story, it could have been a far better venture for all. The movie moves at a slow pace and could be trimmed to make it more crispier but all performances are of top notch and some particular scenes are superbly written and directed by Zoya Akhtar. 
Konkona, as expected gives another fine & polished performance of her career, but the best shot once again comes from Farhan Akhtar, the actor. After the super success of “Rock On”, in “Luck By Chance” he proves himself as an established actor sharing the screen presence with veterans of the medium showing his cool confidence. He plays even the most complex scenes with an amazing ease and elegance. His change in style and walk after he becomes a star is superb. Isha Sharwani as Farhan’s heroine is cute and bubbly. She excels in the dramatic scenes with her onscreen mother and in the scene when she is in Farhan’s room at night.
Among the veterans both Rishi Kapoor and Dimple Kapadia have given one of their best performances and are highly enjoyable. Rishi specially is commendable as he cries and regrets being a producer in the industry running after stars of his son’s age for dates. Dimple as the diva of the past years and mother of Isha shows that she really was a diva in her own time. Juhi Chawla, Sanjay Kapoor and Ali give the right comic support to the ensemble.
There is a huge line up in the special appearance department, which includes, Aamir Khan,  Hrithik Roshan, Abhishek Bachchan, John Abraham, Akshay Khanna, Kareena Kapoor, Rani Mukherjee, Manish Malhotra, Anurag Kashyap, Karan Johar and Shahrukh Khan. Among these Hrithik has a small role in which he shows why he is one of the respected and dependable star in the industry.
Hrithik has given two great scenes in the movie, one while he is talking to Karan Johar in a party and the second when he plays with the street kids while being inside his car at a road block. This particular scene with the street kids was the most impressing one from the director Zoya Akhtar and I rate this scene among the best ones I have seen in the recent times.
The next worth watching cameo comes from the King Khan, Shahrukh. In the few lines he speaks, he explains the life of a superstar and what one should not forget after reaching great heights of success. In this 3 minute scene, Shahrukh says it all and you are made to realize that this person truly deserves the position he is in at the present. 
Another merit of the movie is its dialogues by Javed Akhtar. He manages to explain the emotions of the characters without using any complex or tough words which make it more hard hitting. Cinematography captures the mood and ambience of the studio sets beautifully. The behind the scenes sequences of junior artists, spot boys and assistants are quite revealing and captured intelligently.
But the music of Shankar-Ehsaan-Loy was below the mark. The trio sometimes comes up with such an outstanding score and at times surprisingly gives a very mediocre one like in this movie. Only one song “Sapno Se Bhare Naina” is upto the standards set by themselves.
Now coming to the most difficult part of my review, where I have to write that in spite of being a brilliant and impressive directorial venture, the movie becomes the victim of having an old repeated storyline. The viewer exactly knows what the story would be from the first scene itself and that takes away all the charm. We have seen the same plot many times before when one of the struggler becomes a star and his attitude towards life changes. It was there in RGV’s “Rangeela” too but he had added an entertaining touch of comedy to it.
Here in “Luck By Chance” the main drawback is that the movie definitely is capable of impressing the critics but it fails to touch the right chord with the main viewers. There is no relief element in the screenplay and things keep on moving in a very classy way. Even the humor goes over the head at times. Like the scene when Mac Mohan comes to distribute certificates to the Acting School students. He is asked to say his dialogues from “Sholay”. Now he says “50 Hazaar” which was his only dialogue in the movie and remains one of the hidden surprises of “Sholay”(and many may not have realized it). Now the humor in the scene will only appeal to the people related to cinema and its craft but for others it may be tough to understand. 
I was also surprised to see the scenes where Farhaan was making fun of the Theater and Theater Actors in the movie. Even if you don’t love theater, there are people who love it more than cinema and as a respect towards them and their art this should have been strictly avoided by the director.
So, if you see it from the eyes of a person coming to the theater for some relief and enjoyment, the overall impact of the movie is neither emotional nor entertaining. In the end I have to write that “Luck By Chance” is like seeing some well directed and well acted scenes put together without a touchy soul.
In other words the myth that movies based on movie making don’t work is true again. It deserves critical acclaim but may find hard to get a wider audience and acceptance.
Rating : 3 / 5

Tags : Hrithik Roshan, New Bollywood Releases, Reviews By Bobby Sing, New Hindi Movies Reviews, New Bollywood Movies Reviews, Farhan Akhtar, New Hindi Movies Released, Movie Reviews By Bobby Singh, Luck By Chance Movie Review, Luck By Chance Movie Review by Bobby Sing, Luck By Chance Movie Review by Bobby Singh, Luck By Chance Film Review, Luck By Chance Film Review By Bobby Sing, Luck By Chance Review, Movie Review Luck By Chance, Review Luck By Chance, Zoya Akhtar, Shahrukh Khan Cameo, The King Khan, Luck By Chance, LBC Movie Review, LBC review, LBC Film Review, LBC Movie Review by Bobby Sing
 
 
31 January 2009 / bobbysing /
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The famous musical featuring Shammi Kappor and Sharmila Tagore has a sub-plot taken from 1961 classic “Come September” (1961), where the owner of a big house at a hill station finds out that his caretaker has turned his mansion into a Hotel in his absence.

The romantic angel of Shammi Kapoor having an affair with the girls staying in his house cum Hotel was entirely inspired from the English Classic.
 
Later in year 1995, Nadeem Shravan got inspiration from the theme music of this English Comedy and came up with a Hit song “Nazren Mili Dil Dhadka”in the movie “Raja” featuring Madhuri Dixit.
Tags : Kashmir Ki Kali, Come September, Inspired Movies, Inspired Cinema, Bollywood Plagiarism, Plagiarism in Hindi Cinema, Copied Movies, Movies Inspired From, Borrowed Concepts, Inspired Plots, Bollywood & Hollywood, Reviews by Bobby Sing, Bollywood Gets Inspired, Cinema Gets Inspired, Bollywood & World Cinema, Inspiration from World Cinema
 
 
29 January 2009 / bobbysing /
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In my earlier reviews in this section, I made a statement about Frank Capra and his movies. And after seeing this present flick I stand more strongly on my conclusion that “Frank Capra is the Hrishikesh Mukherjee of the West and vice-versa”. It is said that people in the west are not so emotional and are too practical. But I find that saying pretty wrong every time I see a Frank Capra movie.

Emotions and human feelings are so alive in his movies and that too in a very lighter way like it is found in all Hrishi Da movies in Hindi Cinema. In this movie too, the story revolves around simple and realistic characters living their lives enjoying all its good and bad gifts together. The story talks about a father who has lost his business, about his relationship with his loving kid and his fights with a caring, wealthy brother, who always comes to rescue him financially.
 
The emotional interactions within the family are all shown in a very light & comic way, as seen in all other Frank Capra movies. And the simple, touching dialogues between the father and his son are a delight to watch. Though it is not rated among the Best of Frank Capra, but I found the movie made straight from the heart. A must watch for those who believe in love and emotions and highly recommended to all friends following their passion for cinema.

Produced & Directed By Frank Capra
Starring : Frank Sinatra, Edward G. Robinson, Eddie Hodges & More.
Tags : A Hole In The Head, Frank Sinatra, Frank Capra, Hrishikesh Mukherjee of the West, Emotional Drama, With Comedy Touches,Movies to See Before You Die, Must See Movies List By Bobby Sing
 
 
28 January 2009 / bobbysing /
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The title may seem to be confusing, but this article has got a surprise element for many of my friends here. Before coming to the main subject I would like to mention that this write up of mine is for true music lovers who can listen to a song and judge it without having any partial attitudes and preferences in mind. So it may find some opposition but if you have a good ear and understand music through your heart then you will like to agree with what I have to say here.

Firstly about Subhash Ghai’s relation with “Slum dog Millionaire” :
1. THE INSPIRATION BEHIND THE SONG “RINGA RINGA”
If you listen to the first song of the Soundtrack of SM, “Ringa Ringa” then from the start itself you will find it like heard before. That’s because the song starts exactly in the same style as “Choli Ke Peeche Kya Hai” from “Khalnayak” directed by Subhash Ghai. Surprisingly there are too many similarities in both the songs that you cannot ignore the inspiration angle here.
A. Both songs are pretty similar in music, rhythm and arrangement section. The starting notes and the chorus parts are almost same. (Ku Ku Ku turns into Rig Rig Ringa)
B. In both the songs, there are controversial lyrics sung by the main lead. In “Choli Ke Peeche” a girl is being asked about what is beneath her hot dress. And in “Ringa Ringa” the girl is explaining the pain & discomfort she is feeling because a small insect has gone into her dress.
C. Both the songs have two voices, one of the main girl and the other of an old lady who is asking the questions to the girl (with all those sounds of “Haye” & “Oye Hoye”).
D. Now the great one, both the songs are sung by Alka Yagnik & Ila Arun.
If you are a good listener than you just cannot deny that the song is inspired.  I think Rahman must have been given a brief that a song like “Choli Ke Peeche” is needed. That may be the reason he came up with such inspired track.
I am curious if Subhash Ghai has noticed all these similarities….I think he must have but is silent.
2. THE FIRST OFFER OF SONG “JAI HO”
A.R. Rahman has just given the music for Subhash Ghai’s latest movie “Yuvraaj”. And while making the music for the Salman Khan starrer, guess which song Rahman offered Subhash Ghai for the movie.
It was “Jai Ho” which was played to Subhash Ghai by Rahman, but he didn’t find it matching the western musical theme of his movie. So after Ghai’s rejection the song was played to Danny Boyle and his Indian Team. They selected the song for their movie and now the same song is nominated for the OSCARS in particular. Was it a miss by Subhash Ghai ?
No, I think we have a lot to share and discuss here regarding the music and song nomination of “Jai Ho” in the OSCARS.
A.R. Rahman music director of SM, is a person who I admire, love and consider as the National Treasure of our country. But as true fan, I have some reservations about the soundtrack of “Slumdog Millionaire” representing the huge Himalayan talent of our own Rahman in the west.
I am proud to see A.R Rahman in the nominee list at the OSCARS and waiting for him to bring us the trophy home but deep in my heart I know that Rahman is much bigger talent than SM. He has given us more greater musical gems in the past and also consistently coming up with more appreciable projects, like in his latest “Delhi-6”. It’s not that SM soundtrack is not good but I really feel that there are more better works of Rahman which should have been nominated much earlier in the years gone by.
And that arguably makes me think that this nomination for the music is more due to the foreign associations of the movie and its director Danny Boyle who has a good track record in the Festival & Award Circuit. If the West has to know our dear Rahman in a better way, then they are advised to listen to other memorable soundtracks and albums from his repertoire.
Now I ask my readers here for a true music lover opinion :
1. Is the soundtrack of “Slumdog Millionaire” worth the nomination in OSCAR.?
2. Wasn’t “Vande Matram”, “Maa Tujhe Salaam”, “Rang De Basanti” and latest “Delhi-6” more better work of Rahman, capable of getting the nomination?
3. Why was Rahman not nominated till now, whereas he has given more superior soundtracks in the past if compared to the current “Slumdog Millionaire”?
4. Till now Rahman has been associated with many international project (like Andrew Lloyd Weber, Lord Of The Rings). Was the OSCAR Jury waiting for his association with a movie based on Indian Poverty to give him the deserved Nomination?
Now the million dollar question?
5. If the song “Jai Ho” was a part of “Yuvraaj” and not “Slumdog Millionaire” then would it have been nominated in the OSCARS. (Or even heard by the OSCAR people once!)
So I sense some funny games being played around but taking it in a positive manner, I am waiting for the picture of Rahman with the OSCAR on the front page of all newspapers in the world.
Proud of our Indian National Treasure – A. R. Rahman

Waiting for your views & comments…

Tags : Subhash Ghai, A. R. Rahman, Award Winner, Festival Movie, New Bollywood Movies Reviews, SLUMDOG MILLIONAIRE, Slumdog Millionaire Review by Bobby Sing, Slumdog Millionaire Review, Slumdog Millionaire Movie Review, Kaun Banega Crorepati, Who Wants To Be A Millionaire, Danny Boyle, Trainspotting, Golden Globe Awards, Indian English Film, Indina English Movies, Dev Patel, Movie Review Slumdog Millionaire, Poverty in Slumdog Millionaire, Controversy of Slumdog Millionaire, A. R. Rahman nominated for Oscar, A. R. Rahman Oscars Nomination, Reviews Against Slumdog Millionaire, Racism in Slumdog Millionaire, Subhash Ghai Yuvraaj and Oscars, Subhash Ghai & Oscar, Subhash Ghai misses an OSCAR, Subhash Ghai & A R Rahman, Ghai & Rahman, A R Rahman & Yuvraaj, Jai Ho, Jai Ho & Yuvraaj, Salman Khan & OSCAR
 
 
26 January 2009 / bobbysing /
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