A warm welcome to all friends visiting the site with a loving invitation to read my personal expressions on movies, music, poetry and life.

Music and Movies are like Ears and Eyes to me and if you also feel the same, then you are going to enjoy every moment spent on my works here, for sure.

Do send in your valuable comments and suggestions as they would be my guide for all the future works.


TAMASHA - Overlooking the monotonous feel of a tedious first half, do watch it for an exceptional-visionary second, that might trigger the much desired change in your life avoided since many years. (Review By Bobby Sing).

SPECTRE (English) - With a visually entertaining first half and a routine second, its an above average BOND movie that can be tried once. (Review By Bobby Sing).

TITLI - Watch it as a must for the intense performances, rising above the hard to believe sequences in terms of reality. (Review By Bobby Sing).

PREM RATAN DHAN PAYO - Wasn't expecting such a weak and badly written film from the reputed makers. (Review By Bobby Sing).

CHARLIE KE CHAKKAR MEIN - A forced experiment that doesn't work right from its first frame wasting a fine opportunity. (Review By Bobby Sing).

YAARA SILLY SILLY - An immature take on a potential mature subject. (Review By Bobby Sing).

MAIN AUR CHARLES - Was expecting much more exciting, intriguing and informative film on the mystery man than this stylish attempt with quite less to offer in content. (Review By Bobby Sing).

GUDDU KI GUN - Whom did they wish to make a fool of? The viewers or the producers! (Review by Bobby Sing).

PRITHIPAL SINGH - Wish the impressive Vikas Kumar had got a better writer-director visualising this proud but also a lesser-known, shocking, upsetting, shameful and scary chapter of our Indian sports history. (Review By Bobby Sing).

ONCE UPON A TIME IN BIHAR - At times we need to strongly support such courageous attempts giving you the real picture of a state by purposefully ignoring any of its visible shortcomings. (Review By Bobby Sing).

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December 02, 2015 Wednesday     
TamashaThinking about the basic theme of the film, a highly thoughtful and complex one that can ideally be dealt or expressed with a more convincing ease in a book than a motion picture, I have loads to write about it sharing my personal insane experiences of more than three decades. But since many friends must be willing to read the film’s review first instead of ‘my mad rants’, I would love to give you the same keeping the ‘personal’ sharing stuff’ for a separate write-up dedicated to the film itself.
Before its release this Friday, one could easily see the ‘not so happening buzz’ around the mega venture as its promos as well as the music was not able to create any major hype due to all ‘seen before’ presentation and ‘a similar’ feel. Still many viewers did have some kind of undying faith in their heart, expecting the unexpected from its thoughtful director Imtiaz Ali, the thinking man behind gems such as JAB WE MET, ROCKSTAR and HIGHWAY. So there was a half-hearted wait and some faint hopes as the film began in its first show and I was quite taken back with its abstract opening sequences, clearly not able to make any connection with the viewers making them feel the uneasiness right away.
In other words, the initial 15 minutes of the film (before the foreign locales take over) are too weird to handle (at first), shattering all the big expectations raised from the talented team. And later as the two lead characters meet and spend their ‘individual good time’ in the breathtaking locations of Corsica, it generates the feeling of ‘deja-vu’ reminding you of many similar films of the past and few foreign references too offering nothing new as content unfortunately. In fact it’s a kind of silent confusion, desperately waiting for something unique to happen on screen that starts teasing the viewers by the end of its first 50 minutes (as I strongly felt), and the film solely gets saved by the adorable chemistry between Ranbir and Deepika alone and nothing beyond in this specific time period putting it bluntly.
However the explosion happens just before the intermission and then the director we know of gets back in form, sitting on the driving seat, playing some highly appreciable mind-games with his viewers we seldom get to seen in our Hindi cinema. In exact terms, TAMASHA is one of those rarest of rare films wherein we have the second half excelling and impressing the viewers many times better than the first in an amazing manner. And it’s these final 80 minutes of the film only that force you to re-connect with those initial abstract moments and admit that it was completely wrong to conceive TAMASHA as the same run of the mill stuff made by the visionary director, since the thinking man did have something extraordinary in mind to present in his latest project.
Having said that, yes the film doesn’t rise up to the level of his previous ventures with the major culprit remaining the lackluster first half and the less melodious music in comparison to the earlier hit soundtracks coming from the same team. But then, TAMASHA grows on you as it progresses or rather ends having a brilliant division of sections with their own indicative titles and interesting references of books such as Asterix & Catch 22. The visualization of its characters giving them different looks with the changes in time periods supports its basic subject superbly. And the songs turn out to be more enjoyable or meaningful after watching the film (with deep, thought provoking lyrics) that ironically has been a lucky case with many of A. R. Rahman’s famous scores in the past too like HIGHWAY or RANG DE BASANTI. Love for Punjabi music and its culture is yet again there in Imitiaz’s sixth film. Plus the well written quotable dialogues, background score as well as cinematography plays a major role in the overall impact of the theme (as always) with some mind blowing camera angles tried even in the crucial emotional scenes working wonderfully.
In the acting department, the remarkable performances from two of the most talented actors of the present times blow you off completely with Ranbir delivering a career-best act making a magnificent comeback post his recent over-famous duds. And the boy proudly proves his ‘acting genes’ representing the two greatest actors of Hindi Cinema, Prithiviraj Kapoor and Raj Kapoor with a big, loud roar unarguably. Deepika on the other hand provides an effortless praiseworthy support to Ranbir with all her heartfelt love and affection, in spite of getting much lesser space on screen contributing sportingly. As a matter of fact, what I personally felt while watching the film was that these two actors are now way beyond the vision or capabilities of most of our present filmmakers to be honest and Imtiaz Ali has taken a quantum leap getting far ahead of any of the current Hindi ‘mainstream’ directors without any slightest of doubt (in terms of his extremely difficult choice of concepts). Moreover, where the supporting cast performs just fine, it’s the noticeable casting of the child artist and the comic performance of Vivek Mushran as Ranbir’s boss that does bring back the nostalgia of those good old days of “ILU ILU” in Vivek’s debut film SAUDAGAR (1991) directed by Subhash Ghai.
Tamasha-2Anyhow, the bitter truth remains that despite all the above mentioned remarkable merits of this delightful film, TAMASHA might not find many takers in the existing commercial world, since it forces you to stop for a while and think, that obviously many would not be interested in, being busy in the so called bigger races of acquiring more money & wealth unconsciously. Also this is not a film for the viewers who are just expecting another enjoyable, entertaining, rom-com drama expressing the same clichéd emotions to be cherished with some upbeat music and dance, talking and giggling in the dark having a good time.
Therefore many might not like it…………. as many might not be willing to re-think about their decisions taken, unnecessarily adding to their existing personal problems creating more doubts………..!
But here one thing I can assure that every single person who would be able to reach and grasp its sincere ‘life changing’ message of ‘Finding the REAL YOU’, he or she is sure going to be benefitted by this precious realization sooner or later in life, making it more beautiful and worth living in the remaining years.
For friends who didn’t like it or found it boring.
Personally addressing the readers not really impressed by the film as anything worth watching or learning. It’s perfectly fine, since we do have our own personal choices in cinema and the entertainment expected as per our individual understanding of the medium. But keeping that apart, if possible, just DO NOT MISS the valuable message conveyed by the talented team, powerful enough to help as well as transform many young confused minds in the most positive manner resulting in a better, satisfying and joyful life ahead.
Hence from my side, I would like to try explaining the core message of TAMASHA in my own words that might help you to look at the film in the right (desired) perspective.
-        Many a times in life, we all seriously wish to move out of the city all alone to some place for a few days, where nobody knows us at all, with no family, friend, or anyone to talk with………breaking the set pattern! Just ‘the me’ all alone without any image to be safeguarded or maintained………, the actual ‘me’ whom we rarely get to meet in the routine chaos of life doing loads of stuff unconsciously just to keep it going.
TAMASHA tries to make you remember that ‘REAL YOU’ who nobody else can ever meet but you alone!!!  
-        Quite often we excitingly plan a ‘Freak-out holiday’ in a new city/country with only 1 or 2 close friends and just wish to forget everything left behind for those 3-4 days. The actual desire is to live this holiday as a completely new person different from what we have been in all the past years. And it’s in these few days only………. that we get to meet or discover an entirely different person or an innocent child hiding in our own persona since ages, not visible to us either due to ignorance or unwillingness to accept it boldly.
TAMASHA tries to make you meet this ‘Original Unknown child or person’ silently residing in us……. who might be dying soon too….. if we do not make any conscious efforts to bring him out in time!!!
-        Making it simpler, just try to recall what happens to you when you attend an enjoyable wedding with great ambience, music, wine and dance. Suddenly you find yourself dancing on the beats so freely without caring about any steps or so, forgetting all the ‘reputed’ relatives around….. moving on the floor, even jumping or rolling on it (which you might have seen in the madness created by ‘The Nagin Tune’ or ‘Aye Meri Zohra Zabin’ track played at almost all the ‘Sangeet’ ceremonies in Indian Weddings.)
Now who is that dancing man or woman who unconsciously comes out of your body behaving in a completely odd manner in such enjoyable occasions?
Who is that new person resurfacing all of a sudden in these great musical moments?
Isn’t it the ‘real you’, you might have been avoiding in the years spent by now?
TAMASHA tries to help you discover that ‘Real Man or Woman’ in its own way with a thought provoking, exceptional second half forcing you think……think hard about your own self.
-        It sometimes (luckily) happens in life that while we are busy doing the same things each & every day following a blind routine, a new friend comes all of a sudden and makes us realize what mistakes we have been doing or the ‘bigger joys’ we have been missing willfully due to our own ‘fears of change’ and ‘the risks involved’……….. triggering a hidden button in ourselves we had forgotten of.
TAMASHA tries to become that ‘enlightening friend’ of yours triggering that unknown change…… just like the character of Deepika helping Ranbir looking into his unintentionally adapted false personality and coming out of it.
On the other hand, revealing the darker side of the coin (not tackled or disclosed in TAMASHA being a love story), where such blessed ‘self-realization’ makes you meet the innocent child within, it should also make you witness the devil within too, resulting in a much mature & balanced growth as it ought to be.
-        And explaining the same with a bold as well as an ‘at your face’ approach (from a male perspective), just visualise what happens to a man when he gets to a place like ‘Bangkok’ known for its ‘legal sex-trade’ with his group of like-minded friends to do the obvious things.
What happens to most of the men there suddenly rediscovering the ‘sexually starved devils’ in themselves witnessing the ‘freeness’ around?
Wasn’t that devil always residing in them before, who shockingly gets operational considering the ‘legal availability’ in the city?
TAMASHA invisibly tries to help you find that DEVIL in you too along with an innocent child.
-        Considering this ugly side of the coin with reference to our daily life, just assume you are driving your new car and a poor rickshaw hits you at the back or the front putting some major scratches or dents damaging your proud asset. What happens at that moment when we jump out of the car loudly abusing the poor rickshaw-puller, even ready to hit him?
Who is this person in us willing to abuse and hit the other all of a sudden, forgetting the numerous ‘good-natured life teaching posts’ regularly shared and forwarded at the social networks?
Certainly we don’t know this hateful man residing in our own bodies since long. We surely are not aware of him at all!
TAMASHA unintentionally makes you meet this HATEFUL DEVIL in you too along with an innocent child.
In few words, we all have layers and layers of personalities in our psyche hiding multiple mental disorders that occasionally show their faces at various events. And it’s an extremely difficult task to reach the ‘Real You’ discarding all these layers piled chaotically adding to the complexities of life. The process can also result in sheer madness that is right there in TAMASHA in its every single frame since the absurd beginning. And probably that’s the reason its not going to amuse the majority of viewers simply searching for their regular dosage of entertainment far away from any enlightening shock.
Personally, the film made me recall many worth mentioning quotes as its end credits started rolling and I was literally dancing while walking out of the theater surprising the people around.
It made me remember a meaningful line from an unknown writer where he admits,
“I see a whole ZOO in myself operating at various levels”
The famous western poet Dylan Thomas said,
“I hold a beast, an angel, and a madman in me”
“Somebody's boring me. I think it's me.”
Lastly a one line dialogue in the film WE BOUGHT A ZOO (2011) goes,
“I'm a big fan of people being exactly who they are.”
And TAMASHA precisely tries to make you meet the one you really are, through a much appreciative, courageous effort in this era of 100 crore clubs, 'created' box office successes and weekend earnings, coming from an Indian director who is all set to compete with the world-cinema masters widely known for their cult thought provoking creations respectfully.
As a film it might have flaws and quite less in terms of entertainment offered to the general audience. But as a friend it has a lot to offer, inspiring us all to go for that ‘much desired change’ and lead a more contended life.
Concluding it on an introspective note,
In case you are one of those immensely blessed souls who have successfully regained their 'Original True Self' as they were before the age of 15…….., thankfully doing exactly the same what they always wished for in life……., enjoying every new morning and dawn living their 'Real Self" without any hiding at all like an enlightened being…………..,
then you have already achieved the desired……….and TAMASHA might not be for you.
It’s for us, who are still struggling, searching and fighting with both the inner and the world around making constant efforts………….!!!!!
Ratings - 3.5 / 5 
(First Half – 2.5/5 & Second Half – 4.5/5)
(With a strong recommendation for all fellow travellers on the path searching the ‘Real Self’)
(Essential Note for all friends of BTC)
It’s not actually about any particular film, but it’s about how you consider your CINEMA to be that matters....!!
Is it just like some 3 hours weekly entertaining joyrides munching popcorns & nachos?
A medium of expression capable of helping and guiding you too in your search of LIFE!
It’s nothing to do with any film at all......
It’s all about how we look at such artistic outbursts ……. individually.

Tags : Tamasha Review by Bobby Sing, Tamasha Movie Review by Bobby Sing, New Bollywood Movies Released, New Hindi Films Reviews, New Hindi Movies Reviews, New Hindi Movies Released, New Bollywood Reviews, Bobby Talks Cinema Review, Reviews By Bobby Sing, New Hindi Films Reviews at bobbytalkscinema.com
27 November 2015 / bobbysing /
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Keeping all the comparisons aside, SPECTRE directed by Sam Mendes with Daniel Craig in the lead offers a fresh visual treat at one side and the usual supposed to be thrilling drama on the other resulting in a mixed bag that can easily be rated as an above average venture that might not be able to satisfy many, especially the Bond fans.
Beginning with a terrific opening 10-15 minutes before the famous titles, the film scores a big star right away taking you onto a tour of the festival of the Dead in Mexico City blowing off a whole building post a worth noticing single shot following the Bond heading towards his chosen shooting spot. Further ending the sequence with a sensational scuffle in a dangerously flying helicopter frightening hundreds of people running away on the ground, SPECTRE raises your expectations a lot and then keeps delivering the well shot exciting moments before the ‘forced’ interval (in India) quite impressively. The plot focusing on a secret message left by the chief pointing towards a funeral that in turn leads to an international syndicate of criminals called SPECTRE lays a fine base for the much needed suspense element in the film. But sadly the same goes missing in its second hour, wherein the pace drops and it all falls down to the same routine stuff with only the cinematography and action thankfully maintaining the excellence displayed in its opening hour.
To be specific one strongly misses the suspense factor in its script and emotional depth in the key characters, becoming a major drawback of the film post its initial 50 minutes. Besides the two main attractions Monica Bellucci and Christoph Waltz delivering nothing entertaining enough as per their individual persona turns out to be the biggest disappointment unarguably. On the other hand, its supporting cast plays it fine but a few insertions like the ‘Special Car-Buttons’ and the huge henchman trying to kill Daniel, does remind you of ‘the classic Bond movies’ and its famous characters like the one played by Kabir Bedi in OCTOPUSSY (1983).
In all, SPECTRE does have Craig in a good form well supported by some spellbinding action, background score and breathtaking cinematography keeping you hooked onto the screen in its first hour. However it’s the less enjoyable script losing its charm post intermission, a lengthy duration of more than 145 minutes and lackluster performances of both Monica and Waltz that force you to rate it as an above average venture falling short of the expectations raised.
Interestingly the Indian Censor Board has trimmed the duration of ‘a long kiss’ featured in the film as per their new norms or guidelines raising a relevant question that, ‘how long a KISS should actually be in India, giving you the right amount of satisfaction or pleasure?” Hoping that the arguments given for the cut might be having the exact duration mentioned in second or minutes, you can surely try SPECTRE if you are a BOND-series fans since many years, but only for the opening 15 minutes and the visual treat it offers being the two major merits rising above everything else.
Rating : 2.5 + 0.5 / 5 (with the additional 0.5 just for the introductory sequence.)
Tags : SPECTRE Movie Review by Bobby Sing, SPECTRE Film Review by Bobby Sing, New English Releases Reviews at bobbytalkscinema.com, English Film Reviews by Bobby Sing, James Bond Latest Movie by Sam Mendes, Daniel Craig's SPECTRE Review by Bobby Sing at BTC
21 November 2015 / bobbysing /
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TitliCo-written and directed by Kanu Behl, TITLI is undoubtedly one of the most hard-hitting films of the year with performances capable of shaking you well establishing a highly relatable connection with the viewers, especially with the people living in Delhi and NCR. But unfortunately it’s not the same Delhi anymore on the screen that once had all positive vibes and a unique freshness as seen in films such as Sai Pranjpye’s CHASHME BUDDOOR in the 80s.
Interestingly Kanu Behl was also associated with two other projects of the new millennium effectively using the backdrop of Delhi in their respective storylines and they were Dibakar Banerjee’s OYE LUCKY LUCKY OYE (2008) and LSD: LOVE, SEX AUR DHOKHA released in 2010. However where these films specifically focused on the Punjabi ambience of the West, North or the Central Delhi, TITLI thoughtfully takes you into the virgin lanes of East Delhi (lower middle class regions of Yamuna Paar to be specific) painting a different picture of the city moving ahead of all the earlier films mentioned above.
In other words, it’s this authentic portrayal of the small adjoining houses of the region, the narrow lanes, huge sewer lines, tough living conditions, regular petty fights in the locality, unemployed youth looking for some easy money, numerous cases of road rages, builders lobby, easy availability of local ammunition, involvement of Police in even the small crimes and more, that exactly becomes the first strong merit of the film demanding a much deserving praise for its director along with his talented team of writers, art-director and the cinematographer in particular (capturing it beautifully on a probably lower format).
The second powerful merit of the film is its highly engrossing, impressive as well as disturbing performances that actually don’t let you think anything else till it all gets over on an open note (following a set pattern). The cast ensemble brilliantly portrays the story of a dysfunctional family of 3 brothers and a father, with the elder brother going through a divorce and the youngest unwillingly getting married to a pretty girl, with a purpose of using her in some hidden criminal acts of the family not many are aware of.
Towering them all, Ranvir Shorey as the elder brother simply nails it with a haunting act full of terrifying anger, rage and violence. Amit Sial as the second brother presents a balanced act with a touch of kindness too. And Shashank Arora as the youngest (Titli) delivers an intense performance of a confused yet desperate youth willing to get out of his family’s deadly mess at the earliest. Lalit Behl enacting their father (director’s own father) impresses you in a different manner with his awkward lost mannerisms and body language. But its actually Shivani Raghuvanshi as Neelu (Titli’s wife) who simply wins the contest along with Ranvir playing a strong girl living with her own agenda of life that in reality has no sane meaning or direction, performing sportingly in the masterstroke scene where she pisses out of fear in the car itself.
Together director Kanu Behl, his co-writer and the team conceives a film that simply isn’t interested in any spoon feeding (about the past) but does have a detailed visual description of the present life lived by its key characters with many small indicative insertions like the way they dress, eat, brush, gargle and talk to each other in a lingo that is so close to Delhi’s real life found in such lower middle class colonies. Though its stomach churning violence and raw treatment might not be a pleasant feature for a larger section of viewers looking for their usual entertainment, but with a brisk story progression and crisp editing, the film doesn’t drag at all and also provides the much needed relief factor too through some intelligent dark humour placed at regular intervals. In fact this remains the major reason why one isn’t able to point out the flaws while watching it, but then slowly starts thinking about them in a sequence, while walking out of the theater largely unsatisfied with the way it ends without making any shocking impact.
(Spoilers Ahead)
Stating the flaws or its major drawbacks, the film is just perfect in its opening sequences and impresses you strongly in these initial moments till they decide to get their youngest brother married to an even smarter girl. And its from here onwards that the narration tends to become quite filmy as well as overdone at times with no investigations shown for the regular loots undertaken by the brothers in the same region, easy & mindless stealing of the trial-car (probably) killing the salesman too in the broad daylight with no chasing of police and then intentionally breaking the girl’s right hand with a consent just to avoid the signing of a FD document. Besides, at one end the family is shown to be living in poor conditions throughout the film (though eating chicken most of the time in their meals), but on the other they are regularly looting rich travellers, taking away their cars too with no mention of where the money acquired from those crimes goes, skipping it completely.
However my biggest problem was with ‘the unusual marriage’ shown, that was just not believable right from the first scene itself where the two families and the couple meet each other. And here are the reasons why it was so in my personal opinion.
As per the plotline, the girl was having an affair with an already married person with a big age difference and knowing the shocking truth the worried parents wanted to get her married as soon as possible, hoping that she will change post marriage, getting involved with her loving husband and the new family members in her husband’s home.
Yes, that’s very much realistic as helpless parents caught in such concerning situation tend to think in the same manner for the betterment of their own daughter. But in the process they still cannot get her married to any Tom, Dick and Harry, ignoring the clearly visible mis-match, without enquiring about their family status or avoiding making any investigations about the boy or his family’s reputation from their close neighborhood. Even the most uneducated, poor or annoyed parents would not think of doing that with their own daughter, unless we are talking about an exceptional case of a highly disturbed family with only an old drug addict father who has lost his ability of thinking and decision making, which is not the case here in the first place.
Now taking up the very first scene when the two families meet, we get introduced to the girl’s parents as a decent couple representing an upper middle class educated family with the father doing well, probably through a respectable job/business as indicated by their well-maintained home (visible in the backdrop). Plus they seem to be the parents loving their grown-up daughter a lot despite the hidden truth of her affair, giving her a second chance.
In the same scene we also meet the girl (Neelu) sitting there at a couch, having an immensely likable appearance with a charming face, fair complexion, a fine sense of modern dressing and a confident persona in all, that’s way ahead than the ugly looking boy sitting right in front, willing to be her future husband….…being no match whatsoever for the pretty girl from any angle …… hands down.
Next, just look at the boy’s family of all men (4 in total) with an old weird father, an elder brother whose wife has already left the house (living separately from a long time asking for a divorce) and the middle one who has yet not got married for his own undisclosed reasons, running a small shop. So making their daily food & clothes themselves, the four are desperately willing to get the youngest brother married to break this teasing monotony of the house that should ideally raise many serious concerns for the parents of a girl in practical terms.
Furthermore, try to visualize their filthy home again, the rotten furniture, the dirty rooms, the way they use to sit, sleep, eat and bath. Will any father of a girl readily agree to send her charming daughter to such home where they don’t even have proper living conditions or a clean separate room with a proper door? (You can see Bawla fixing a bolt on the door of the room assigned to the couple before their first night.)
More importantly, just recall the scene in the latter half of the movie when Neelu is silently leaving the house walking through the lonely lanes at night and Titli manages to find her, asking her to get back home immediately. In this conversation, he clearly mentions that there would be no use of shouting here as everyone in this locality is very much aware of what we brothers do and who we are.
Still the girl’s parents were not aware of this widespread truth quite strangely when the whole neighborhood knew everything about the criminal background of this ‘all men’ family and their misconducts.
Okay let’s assume that Titli just made it up as a lie, only to threaten Neelu at that particular moment of the night. But then,
Why the parents didn’t make any investigations about the boy and his family from their close neighborhood before saying yes?
Why they didn’t even care to at least once visit the house their daughter was being sent to?
And, Why didn’t they thought of meeting the only lady of the house before taking a decision, i.e. Ranvir’s wife, (who was not living with them anymore), in order to know the exact truth about the people in the family ensuring the safety of their young daughter?
Strangely the writers were least concerned about these crucial points and just to move their story forward, simply decided to assume the girl’s parents readily agreeing to the mismatched marriage as two dumb individuals doing nothing to fulfill their big parental responsibility and having no issues in sending their young, beautiful girl to the unacceptable house of such horrifying criminals only because she was having an affair in the past and they wanted to get rid of her at the earliest.
Honestly this was not any realistic writing as it might seem to be in my personal opinion, depending entirely upon ‘A Marriage’ that was completely out of sync with the real life. Yet concluding the review on a positive note, you should surely watch TITLI for all its praiseworthy, intense performances rising much above the hard to believe sequences in terms of reality. Because though it isn’t perfect, the film still remains a highly appreciable and well enacted experiment that successfully draws your attention towards the kind of life lived in such narrow lanes of the otherwise developed metro cities of our country.
Rating : 3.5 / 5 (with the additional 0.5 just for Ranvir Shorey’s flawless portrayal of a psycho character.)
Tags : Titli Review by Bobby Sing, Titli Film Review by Bobby Sing, New Bollywood Movies Released, New Hindi Films Reviews, New Hindi Movies Reviews, New Hindi Movies Released, New Bollywood Reviews, Bobby Talks Cinema Review, Reviews By Bobby Sing, New Hindi Films Reviews at bobbytalkscinema.com
17 November 2015 / bobbysing /
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